For Sacraments we have a term and definition in Art History.

A dramatic form that flourished particularly in Quattrocento Tuscany, supported by lay confraternities. Written primarily in ottava rima, the sacra rappresentazione was staged in an open space with luoghi deputati, multiple sets used in succession. Subjects were nominally sacred, from the Old and New Testaments, pious legend and hagiography, but the injection of realistic vignette and detail from contemporary local life or of romantic elaboration was considerable. There were no limits on time; a single rappresentazione or festa could begin with the Creation and end with the Final Judgment, and available techniques of elaborate scenery made such subjects desirable. Many compositions were anonymous, but others were the work of well-known figures, among them Feo Belcari (1410-84), author of La rappresentazione di Abram ed Isac (1449), and Lorenzo de' Medici, whose Rappresentazione dei SS. Giovanni e Paolo (1491) was performed by the children of the Compagnia del Vangelista. The rappresentazioni were often printed in the Cinquecento and continued to be performed on municipal occasions, but eventually they became fare only for monasteries and convents.
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